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| Size | Museum Quality Artworks Hand-Painted with oil paint |
|---|---|
| 23.6 x 18 in 60x48 cm |
$ 504.00 Add to Cart |
| 32 x 24 in 80x63 cm |
$ 707.00 Add to Cart
|
| 40 x 31 in 100cm x 79 cm |
$ 994.00 Add to Cart |
| 4 x 3.1 ft or 47 ¼ x 37 in 120cm x 95 cm |
$ 1278.00 Add to Cart |
| 5 x 3.9 ft or 59 x 46 in 150cm x 119 cm |
$ 1750.00 Add to Cart |
| 6.6 x 5.2 ft or 78 ¾ x 62 in 200cm x 159 cm |
$ 2671.00 Add to Cart |
| 8.16 x 6.5 ft or 98 ½ x 77 in 250cm x 198 cm |
$ 3465.00 Add to Cart |
| 9.8 x 7.8 ft 300cm x 238 cm |
$ 4998.00 Add to Cart |
| 13.12 x 10.4 ft 400cm x 317 cm |
$ 8876.00 Add to Cart |
| 16.4 x 13.0 ft 500cm x 396 cm |
$ 13860.00 - 20% off $ 11088.00 Add to Cart |
Museum-quality replicas by Paolo: Exceptional product, accurate to the tiniest details, textures and values. Requires skills and time to process, but gives astonishing results. A true work of art for the real connoisseurs.
One of the most recognizable interiors in art history, "The Bedroom" (or Bedroom in Arles) represents Vincent van Gogh’s deep yearning for domestic stability and "repose." Painted in October 1888, it depicts his room in the famous Yellow House in Arles, France.
Title: The Bedroom (La Chambre à Arles)
Artist: Vincent van Gogh
Date: 1888 (First version)
Medium: Oil on canvas
Dimensions: 72.4 cm x 91.3 cm
Location: Van Gogh Museum, Amsterdam (Note: Two other versions exist at the Art Institute of Chicago and the Musée d'Orsay).
1. Symbolic Peace and Color Theory: Van Gogh famously wrote to his brother Theo that he wanted the color to do everything here—suggesting "sleep" or "rest" to the mind. He used bold, flat areas of color influenced by Japanese woodblock prints (Ukiyo-e). The pale violet walls, the yellow furniture, and the blood-red bedspread were intended to create a sense of harmony, though modern viewers often find the skewed perspective slightly unsettling.
2. Skewed Perspective: The odd angles of the room aren't just an artistic choice; the Yellow House itself was built at an awkward angle, resulting in a room that was physically trapezoidal. Van Gogh leaned into this, creating a "rushing" perspective that draws the viewer into the personal sanctuary of the artist.
3. The Theme of "Twos": Notice how almost everything comes in pairs:
Two chairs
Two pillows
Two portraits on the wall This symmetry highlights Van Gogh’s hope for a companion—specifically Paul Gauguin, for whom he was preparing the house in anticipation of their "Studio of the South."
4. Details within the Detail: The paintings on the wall are miniature versions of his own work. In this first version, the portraits on the right are of his friends: the poet Eugène Boch and the soldier Paul-Eugène Milliet.