Buy Ruth Miller Kempster superb reproductions hand-painted on canvas with oil painting, rivaling with the master quality. Choose between dozens of artwork.
We give special attention to your paintings on canvas to make sure it will be exceptional. Our beautiful reproductions of Ruth Miller Kempster artworks are of the best quality money can buy, and are works of art that you will be able to keep for ages to come.
Our philosophy is to focus on a strict follow-up of the art processing to ensure your satisfaction. We aim to increase our customer base and maintain customer loyalty through confidence in our products and a continued high quality of service.
Our high quality oil painting replicas are hand-painted on the best canvas with top-quality pigments. Oil painting reproductions are used for interior design to embelish your home, or your place of business.
Our reproductions are of the highest quality available on the market, and are a real tribute to the original artist. Only senior artists with more than 20 years of experience are working on your painting, top-of-the-line paint and canvases are used. Try the difference; you'll never order anywhere else after that. For the discerning art connoisseur, 100 percent satisfaction is guaranteed.
Ruth Blanchard Miller Kempster (1904-78), was an inventive painter and muralist who worked in a Magic Realist mode. In her unfinished 1950 self-portrait, Kempster casts a withering side-eye at this man's, man's, man's world. She holds her paintbrush like Cruella de Vil would.
Born as Ruth Blanchard Miller, after her marriage she adopted her husband’s name of Fracker. Her father, Kempster Blanchard Miller (1870-1933), was an engineer, author, and businessman. She also used his first name and worked sometimes as Ruth Kempster. In 1922 she went to California and studied at the Otis College of Art and Design in Los Angeles and the Stickney Memorial School of Art in Pasadena. Ruth Miller continued her studies in New York, Paris and Firenze. She later joined Stickney and taught portraiture. In addition to classic painting, she focused on murals.
With her painting Struggle she won the silver medal at the 1932 Art Competitions in Los Angeles. It showed a realistic depiction of a fight between a black and a white freestyle wrestler with heads much too small compared to their bodies. It is worth noting that at that time, racial discrimination was still prevalent in the USA, but the work was awarded a prize, nevertheless. Today it is in a private collection.
