Hopper Early Sunday Morning Hand Painted Reproduction museum quality

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Original Size 153 x 89.4 cm — $ 1174.00

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Museum quality copy: 100% like the original, to the tiniest details, hand-painted on canvas. Italian cotton canvas and top-notch paint.
Print on cotton canvas: High-quality art print on cotton 380gsm, protective UV varnish.

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Buy Hopper Early Sunday Morning Hand Painted Reproduction museum quality

Our high-quality oil painting reproductions are hand-painted on the finest canvas using only the finest pigments. What makes our high-quality paintings better?

Level of details: we are doing a replica that is close to a forgery, reproducing everything in the small details.
The paint is added thickly: Our brushstrokes are thicker, using more paint, unlike cheap copies you can buy on the internet, that are merely prints on canvas with hints of acrylic paint.
Complexity of the artworks: Complexity of the artwork is not a problem. If some paintings are more of a challenge than others, we thrive in excellence realizing them.

Early Sunday morning, Edward Hopper, 1930

Oil on Canvas 89,4 x 153cm

New York, Whitney Museum of American art

Early Sunday Morning is one of Edward Hopper’s most iconic paintings. He described it as “an almost literal translation of Seventh Avenue”, yet he reduced this famous New York City street to its essentials. The lettering of the signs on the windows is unreadable, the architectural ornaments are barely drawn, and the human presence is simply suggested by the different curtains that differentiate the discreet apartments upstairs.

The long morning shadows on the painting would never appear on a north-south street like Seventh Avenue. Yet these same contrasts of light and shadow, and the succession of verticals and horizontals, create the charged, almost theatrical, atmosphere of empty buildings on a street at the beginning of the day.

Although Hopper is known as the quintessence of the twentieth-century realist painter, his paintings, although fundamentally representative, accentuate the simplification of forms and painted surfaces in carefully constructed compositions.

Five paintings made between 1928 and 1935: « Blackwell Island » (1928); « Manhattan Bridge Loop » (1928); « Apartment Buildings, East River » (1930); « Early Sunday Morning »(1930) and « Macomb Dam Bridge » (1935) share almost identical dimensions and the same panoramic format.

Collectively, these paintings provide an invaluable insight into Hopper’s counter-current vision of a horizontal city; as Alfred H. Barr observed about Hopper’s 1933 work: “His indifference to skyscrapers is remarkable in a painter of New York architecture.”