Hopper Sea Watchers 1952 Hand Painted Reproduction museum quality

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Museum quality copy: 100% like the original, to the tiniest details, hand-painted on canvas. Italian cotton canvas and top-notch paint.
Print on cotton canvas: High-quality art print on cotton 380gsm, protective UV varnish.

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Buy Hopper Sea Watchers 1952 Hand Painted Reproduction museum quality

Our high-quality oil painting reproductions are hand-painted on the finest canvas using only the finest pigments. What makes our high-quality paintings better?

Level of details: we are doing a replica that is close to a forgery, reproducing everything in the small details.
The paint is added thickly: Our brushstrokes are thicker, using more paint, unlike cheap copies you can buy on the internet, that are merely prints on canvas with hints of acrylic paint.
Complexity of the artworks: Complexity of the artwork is not a problem. If some paintings are more of a challenge than others, we thrive in excellence realizing them.

Sea Watchers, Edward Hopper, 1952

Oil on canvas, 76.2 x 101.6 cm

Private collection

On a terrace by the sea, sitting on a bench, a couple is immersed in his thoughts.

The facade of the house to which it is leaning is flooded with a whitish and cold light while the couple is in swimsuit. The wind from the sea blows and floats towels hanging from a clothesline in the background. In the same plane two wooden mooring posts are chained without being able to distinguish what this chain is supposed to retain or secure.

The woman stands straight while the man, his chest projected forward, seems to want to counteract the force of the wind and display a dissonance with the posture taken by his partner.

The spectator stands slightly on a low angle view.

The man and woman trapped in parallel meditations seem to illustrate a message from Hopper (he is 70 years old) about life as a couple and the dissonances between the couple’s needs:

The area to the left of the house could illustrate the myth of the indissoluble couple and the metaphor of marital life: the towels representing the material contingencies of this life in common and the chain connecting the two poles the indefectible links that tie over the years.

The area on the right seems to illustrate the needs of men: the call of the open sea, the need to get rid of the links that hinder him, adventure, the search for freedom.